Networkingaudiovideo.com – Best headphones for video editing in 2023. In the wild world of video editing, gear quality is the real deal. Sure, having a high-res monitor and a beastly computer is essential, but don’t sleep on audio – it’s a game-changer. To make sure your audio and visuals sync up perfectly, you gotta have some fly headphones.
Best Headphones for Video Editing in 2023
In this piece, we’re breaking down the illest headphones for video editing. We’re talking about features, comfort, and sound quality, so let’s dive in!
1. Beyerdynamic DT 770 PRO (32 ohms)
When it comes to video editing headphones, the Beyerdynamic DT 770 PROs are the top dogs. They come in three flavors, each with a different impedance level: 32 ohms, 80 ohms, and 250 ohms. If you’re looking for an easy plug-and-play experience, the 32-ohm version is where it’s at. No need for extra gear – just plug it into your camera, phone, or laptop, and you’re golden.
These headphones are all about that neutral audio vibe. They won’t color your audio with too much bass. Plus, the closed-back earcups and leatherette earpads bring that tight bass response and keep outside noise in check. But heads up, they might get a bit warm after long sessions.
2. Focal Listen Professional
Comfort is king, especially when you’re grinding on edits. Focal Listen Professionals understand that. They’ve got memory foam earcups for those marathon editing sessions. These headphones seal around your ears (circumaural style) to keep you in the zone and block out distractions. The headband’s grip is dialed in for the right balance of comfort and sealing power.
Listen Pros are legit for both jamming out and pro-level monitoring. They serve up a crystal clear soundstage without artificially boosting the bass, mids, or treble. A 32-ohm impedance makes them friendly with everything from your iPhone to pro-level gear. And the package includes all the cables you’ll need for a flawless experience.
3. Audio-Technica ATH-M50x
Audio-Technica ATH-M50x headphones deliver those bomb sounds with their over-ear, closed-back design. They’re comfy for long hours and keep the outside noise outside. However, they’re on the bigger side, so they’re more at home in your studio than on location.
The good news is, you can take them on the go – they fold flat thanks to swivel earcup yokes. With a 38-ohm impedance, they’re a breeze to drive with just about any source, no amps needed. The 45mm drivers pack neodymium magnets and offer a flat response, so your video editing remains neutral and on point.
4. Beyerdynamic DT 240 PRO
If you’re looking for a pair of affordable headphones that work as well in the field as they do in the editing suite, the Beyerdynamic DT 240 PROs have got your back. They’re all about portability, folding flat for easy packing. Metal-reinforced headbands and aluminum yokes make them rugged and ready for action.
The ear cups are a bit smaller than most pro headphones, which is rad for portability but might cramp your style on longer editing sessions if you’ve got larger ears. The closed design and leatherette earcup padding might make things a bit toasty, but these are still a solid all-around choice. With a wide 5-35,000Hz frequency response and 34-ohm impedance, they’re a bang for your buck.
5. Sony MDR-7506
Sony’s MDR-7500-series headphones are straight-up pro studio gear, and the entry-level MDR-7506 has a rep for being the real deal. They’ve got 40mm Neodymium drivers, a 10-20,000Hz frequency response, and a 63-ohm impedance – that’s a recipe for stellar sound quality, whether you’re plugging into a laptop or pro-level gear.
These headphones come with a chill carry pouch and fold up for easy transport. They rock those large, over-ear closed earcups that fit most ears and keep outside noise where it belongs – outside.
6. Sennheiser HD 300 PRO
Here, we’re talking about the Sennheiser HD 300 PRO headphones, and let me tell you, these headphones are no joke. They’re not exactly easy on the wallet, but the specs they bring to the table are worth every penny.
With a max sound pressure of 123dB, these headphones can get loud, which is a blessing when you’re checking for subtle background noise in your recordings. However, to crank them up to max, you might want to hook them up to a dedicated amplifier since they pack a 64-ohm impedance, making them a bit more challenging to drive compared to other headphones on our list.
But don’t let that scare you off – you can still use these with your camera gear or laptop, and you’ll get some solid volume. Just like many other monitor headphones, the HD 300 PROs roll with a closed-back, over-ear earcup design. These bad boys wrap around your ears for supreme comfort and passive noise cancellation.
Even if you’ve got ears on the larger side, these Sennheisers have you covered. The earcups are spacious enough to accommodate even the most generous ears. When you’re done using them, the headband allows the earcups to fold inward for a sleeker profile.
Conclusion
Picking the right headphones for video editing is a big deal – it can make or break your game. The headphones we’ve laid out here cover the whole spectrum, from comfort to sound quality, and they won’t break the bank. Whether you’re rolling with the Beyerdynamic DT 770 PRO, Focal Listen Professional, Audio-Technica ATH-M50x, Beyerdynamic DT 240 PRO, or Sony MDR-7506, you’re set for a top-tier audio experience. Each of these headphones brings something special to the table, elevating your video editing game like a boss.
